andreas gehm returns to the mathematics imprint for another round of sick cuts. this is voodoo opens with an eerie basement banger that is followed by all soul day, a deeper journey into his production. the return of ra kicks up the dark acid while the title track ends the ep with more tech.

repress in black vinyl... clone west coast series continues with more hot releases! after tyrell and mr pauli its the hasbeens (tyrell & overdose) who deliver the heat!. this is as big as you can get it! we could do a lot of talking about the track and the daily struggle of human beings etc... but just listen. top production leaning on classic italo but in a new modern jacket with sharp production... the clone west coast sound :-) simply irresistible

taken from trentemøllers new full-length album, ‚into the great wide yonder, a stunning achievement in modern production and cinematic songwriting, >shades of marble< has been reworked by the man himself, along rising artists kink and kasper bjørke. trentemøllers dramatic, edgy and daring remix of his own string drenched opus is nothing short of breathtaking. leaning towards dancefloors with an appreciation for epic qualities, this expertly constructed re-think will surely be heard well into the festival season. the inimitable man from sofia, kink rises to the challenge of remixing shades of marble and does so heroically. the pleasing result is a tough, chicago meets berlin jack-jam that leads to tripped out and freaky moments in the break, until his trademark drum machines do the rest! finally another bright star of the danish scene, kasper bjørke, has his say with his deeper and more low slung remix that leads the listening into satisfying late night realms. full of funk and melancholy, this is a welcome treat for fans of bjørkes characteristic productions.

it seems that dapayk used to listen to a lot of hip-hop when he was younger. his latest ep for still vor talent >let go< has got these influences written all over it. the title track starts out with a male vocal and some sounds that sound a little like scratching before things then quickly head into the direction of the club. the vocal by singer camara could not be more reminiscent of 80s house music and this track has got all the soul and groove of this era. beneath the delicate vocal and sound patterns lies a wonderfully simply staccato house groove that is sure to get everyone shuffling. on the flip things get a little more techy with >nneka<, a deeper and more melodic tech house glider that gently takes the listener towards a harmonic state of mind. beautifully arpeggiated pads, a warm soulful groove and some reverbed vocals make this one. last up is the sample-based tech-house stomper >upyo< featuring production partner jon hester. this is loop heaven: a pushy beat loop with many snares, reverse samples and an unexpected saxophone melody make this one the perfect changeover track from warm-up to peak-time. this ep shows dapayks skills to combine many musical influences into his unique still of tech-house music

chris finke (flux/atomic jam) delivers the dance floor goods with his fresh 12inch release on gynoid audio moofish. the original sees big room production fused with an acid like riff aimed at melting minds and moving feet. on remix duties are none other than mark broom, whos pulsing remix takes things deeper, dj hi-shock and his hypnotic re-interpretation and go hiyama moves away from the usual >4 on the floor< to deliver an atmospheric, broken beat, idm influenced mix. supported already by the likes of: luke slater, xhin, drumcell, tommy four seven, wehbba, audio injection, chris liebing, gary beck, gayle san, markus suckut, tom hades, and more!

12repress of former 10. no recut - 1996 rhythm & sound production

fried tofu exists to bring some soulful sounds back into the mix. they have a militant approach to their output, selecting only the finest source material, and sympathetically reducing the ingredients to their raw, dancefloor friendly essence celebrating the often superior production of the 70s and 80s and avoiding the loudness wars which has seen club music recently distilled into an overcompressed and lifeless mass. far too many words have been wasted in the average release info sheet. so lets keep it short and let the music speak for itself.

having been perfecting his production skills for the last 10 years, mrk1 is no newcomer to the world of bass-led music. a member of manchesters infamous virus syndicate, he has become internationally recognised as a huge dubstep talent. so when hench got the opportunity, they jumped at the chance to sign two typically down-right dark and dirty numbers from the man like mrk1.

the release of the fourth studio album from revered production duo booka shade last year was greeted with widespread praise from fans and press . imbued with not only an uncanny understanding of the dancefloor, but a sense of true musicianship, >more!< transcends contemporary club music, placing itself amongst a lineage of classic records. following the great success of previous single >regenerate<, the fourth and final single to be taken from the album is the scaramanga remix ep. one of the albums standout tracks, scramanga is reinvented by the duo themelves, as well an impressive host of remixers who twist and contort it into myriad shapes, each harnessing different facets of the original and shining a new light on them with their new visions. booka shade take on >scaramanga< themselves with their >manga mix<, re-appropriating the poignant and hypnotic foundations of the original to craft a nuanced and uplifting dancefloor hit. carried forward by the symbiotic interplay of the drums and bass, rhythmic chord progressions surge through the tracks core, unfurling beautifully. the vinyl package also features versions from uk-based producer reset robot and italian wunderkind dusty kid. reset robot pierces the vocal film with filtered synth stabs, giving the track an urgent propulsion which is bouyed by the swelling bass, while dusty kid strips away the layers to reveal a melancholic core, stretching it out over the ebb and flow of its nine minute duration

dj and production superduo youandme are back at it again. their first full ep on vinyl did it delivers three great tracks that reflect the duos wide musical range, from the deepness of ghosts, to the darker introspectiveness of nightvision and the dancefloor house of black jack, another youandme must-have record. lim. ed. of 500 units

always leena is the fertile breeding ground for inspiring artists that are new to the label and have caught the attention of mobilee’s label heads. this brand new release from smash tv is a perfect example of this vision in practice, as whilst the duo behind the name - holger zilske and kai preussner - have been in the game for quite some time, this is their first release on leena and it’s unsurprising that their high energy production and musical flair has been spotted and admired by the mobilee team. with releases in the past on labels such bpitch control, diynamic and get physical, now they are here to present ‘world wide wet’! all three tracks in the release come with the producers’ high energy dance-floor trademark, whilst in spite of it’s suggestive title ‘eating bullets’ takes it a bit deeper and gives you some space to kick back to. ‘world wide wet’ is a very welcome guest to leena, bringing more variety and spice to the imprints history so far…… enjoy

lance is back at it again. deep naked music vibe n house with sub-aquatic atmosphere and heavenly grooves. diving low end that pushes subtle melody and fill the bottomless void that lance is infamous for creating. heavy uk vibe on the production that touches upon 16b, odori, and charles webster. siesta leading the pack once again.

fully qualified survivor is a 1970 release by british folk-rock singer-songwriter michael chapman, featuring the hit >postcards of scarborough<. after the critical acclaim michael chapman received for rainmaker in 1969, he followed up quickly in early 1970 with fully qualified survivor, a record more adventurous and haunting than its predecessor, with added production flourishes and equally strong songs. fully qualified survivor is the album that established chapman as a folk troubadour.

the next future classic release is the debut from la production duo poolside with their tune >do you believe?<. big piano keys, whispered vocals, a light drizzling of 303 acid served at 105 bpm over a thick summer disco groove, with remixes by jacques renault feat. tiffany roth from midnight magic, james curd and cosmic kids. theres buzz on this tune! it was debuted by aeroplane in their january 2011 mix for bbc radio 1 and amassed over 10.000 youtube plays for the video clip in just a week! an end of summer hit for the southern hemisphere, while a welcome sign of spring for the northern hemisphere.

nphonix is celebrated as a paragon of stylistic diversity, constant progression and engineering craftsmanship amongst producers and listeners alike, with a sound and discography spanning everything from drum n bass to hard techno. his latest release on the prestigious lost soul imprint is no exception to this standard. the a-side,>third eye<, descends like the bellow of some unfathomable machine coming to life, as frenetic techno stabs ride a ferocious shockwave of bass driven by bristling percussion. the flip, >false flag> beckons with signature lushness and beautiful harmonies before propelling the listener back into a maelstrom of speaker destroying furor, with a stunning second drop sure to blow minds and rattle ribcages. both pieces are tied together with the gritty yet crystalline production quality fans have come to expect from this stalwart innovator. this record is a testament to an artists uncompromising vision and a labels reputation for impeccable taste.

the somewhat mysterious ld nero debuts with a release on peter fords venerable trelik imprint. the nites out ep is dipped in the kind of glossy production sheen that one expects to hear from a seasoned producer, with opening jam >nite out (dusk dub)< nailing that early 90s, stripped back house sound with effortless aplomb. the deep and hypnotic drum programming undulates next to neat organ stabs forming for a truly rhythmic dancefloor jacker. flip over for the dawn dub of the same track, with both name and sound suggesting this ones aimed squarely at those still standing and/or dancing come sunrise. this time a more ethereal atmosphere permeates, with a refreshing live and un-sequenced feel to the production

hulk is a collaboration of claw & richie august, two creative minds that share a similar production style and enthusiasm for heavy bass driven music. since the inception, hulk has been catching the eyes and ears of artists such as the glitch mob, dieselboy, reid speed, reso, the gaslamp killer, high rankin, iwrestledabearonce and dj lord of public enemy, among others. after catching the ear of juan basshead who had to sign them!

for the 8th release on soweso were proud to bring you parisian house music guru chris carrier. logic sunrise and street machine are both examples of how modern club house should sound like. high production value and amazing drive make these two sure shots for house djs worldwide. on the b-side we bring you two rare gems from chriss musical vault. love supreme is an amazing collaboration between chris and long time friend hector moralez and one night stand is a playfull classic house affaire.

gem010 features ramon tapias own production pelican and opal in collaboration with secret cinema. the ep is completed by belgian golden boy steve slight. a tasty 3 tracker!

produced in 2004, this ep marks an essential shift in the production of stefan goldmann to his modus operandi as a dedicated innovator. he had adapted the barricade guise to induce some serious deviations into the techno realm. yet, heads werent ready and he simply continued under his real name with his major breakthrough works: perlons blood ep and the legendary sleepy hollow tune. hidden from the public, aleko and frantic had built a prototypic aesthetic of rough, concrete-space sounds - reduced dark, metallic percussion grooves, spring reverbs and degraded post-acidic synths. you name it where you heard this sound years later. its revealing how far ahead these tunes were at the time of their creation. they sound more now than many current tracks. aleko is the 4/4 techno version of this soundset, locked-in clonk patterns built around a nitrous bassline. frantic could be a future development to todays dubstep, if it wasnt its actual historic predecessor. add the schizophrenic bass excursion heliotrope and you have a package of painstaking relevance. back then the a&rs simply didnt get it - thats why it took 6 years and the formation of victoriaville to finally bring these gems to light

the danish duo darkness falls is a new alternative rock duo right from the centre of the emerging copenhagen music scene, a collaboration between josephine philip (vocals, keyboards) and ina lindgreen (guitar, bass). their sound is rooted in rock tradition, with elements of post punk, distant beats, and chanting, textured productions wrapped up with a great passion for classic 60s twang guitar sounds. a beautiful mixture of charming pop and melancholy, this is feel good music for 2011 and beyond. produced by trentemøller these 4 tracks are a spellbinding taste of things to come. the combination of trentemøllers glistening production and the unique, heartfelt music of darkness falls is sure to uplift and inspire.

back at the tail end of the last millennium bbe released a comprehensive overview of house music in the latter stages of the 20th century. >henry street music: the story so far - 1993 to 1999< was a slice of superior contemporary club classics featuring all of the key players, architects and music makers of the day. todd terry, armand van helden, kenny dope, dj sneak, 95 north, robbie rivera, davidson ospina, ralphi rosario, mike delgado, king britt, and a handful of others under various alter egos and nom de plumes. it was a given that they were all great records, what was all the more impressive was that they all originated from the same recording home, henry street music. a label conceived and devised by johnny demairo, an italian-american from jersey who talked the talk, could easily have been an extra in the sopranos, and was known affectionately as the shark. to others he was just plain johnny d, and one half of the production duo johnick with studio partner nicky p palermo jr. tracks such as d2- d2 by dj duke are collectors classics and will be re-released and re-mastered on vinyl for the first time in over 10 years

the partnership of chris and d.a.v.e. deliver forward-thinking techno with masterful production and plenty of pulsing get-on-the-floor vibes on both sides. the answer is 42. now what was the question...?

having provided a stellar remix of >transcend without thought< for the label, followers of bulletdodge records will already be familiar with roel saleminks outstanding production style. fusing cutting edge techniques with a respect for technos established idioms, the dutch producer draws from a healthy amount of experience as dj and promoter. with >silenth noises< roel has served up a real treat for fans of the bulletdodge style.

after the fittingly excellent 30th release from markatonio, analytic trail waste no time in delivering their next release, this time coming from scottish producer hans bouffmyhre. the paisley based artist has graced perc trax, harthouse and jochim speiths affin with his releases in the past and his production continues to garner support from a wide and revered array of djs. someone im not boldly kicks off the ep with a dark but grooved-out edge which will please fans of his previous work for perc trax wintery, late night and uncompromising techno. bermuda tool follows and pushes further into the darker territories of techno with a lazy pace providing counterpoint to a tapestry of moody effects. self punishment ramps up the energy but keeps the sinister, mechanical vibes of its counterparts while final cut planet deception closes proceedings with a drum focused workout with some killer yet simple snare work.

180gr! the goddessis his first single for international feel and continues his journey into deep space production, beautiful uplifting melodies and chunky beats. backed by a oh so deep and mesmerizing rework from quiet village..

james whats debut release for crosstown rebels is a two track single of sheer class! a hypnotic, hooky emotive pair of dancefloor weapons that will not fail to get under your skin. his deft production skills are championed here in this irresistible new single, truly sublime!

matthew styles remixes one of fofs biggest releases of 2010. never straying far from the source material, matthew wraps things up in his usual tight production style, employing a live bass sound and elements of the original melody to give things a tripppier edge than the originals straight up dance floor leanings.
on the flip and walking that fine line between house and techno, blm turns in a very fine and contemporary remix of drake and griifiths >the devils eyes<. dystopian in its outlook, the remix drives along with a simple but full bassline with plenty of dancefloor power.

boys and diamonds is unmistakably a pop album but also one that comfortably fits in with kompakts long-standing lineage of genre-refracting releases. you will be hard up find another record that cohesively brings to mind siouxsie rubbing elbows with shabba ranks, giorgio moroder sipping daiquiris in bali, desmond dekker envisioned through skittering footwork, tom tom club sitting in with congotronics, even early madonna produced by chris and cosey. unlikely as all of that sounds, rainbow arabia makes it sound easy. mostly recorded at their home studio in echo park, muppet palace, boys and diamonds was written and produced by the couple with help from their friends in los angeles and beyond. drummer/producer extraordinaire butchy fuego (pit er pat, boredoms, mia) contributes arrangements and beats in places, and icy demons dylan ryan plays on the percussion-heavy island shuffle nothin gonna be undone . the album was mixed at the wonderful hobby shop studios in la by mudrock, who also adds some final production touches on the record. the 11 new songs on the album, were also made possible by the encouragement of peers/heroes in la like former ghosts, fool s gold, secret circuit, abe vigoda, and part time punks dj crew. outside of their hometown, they also found support and inspiration from kindred spirits like pictureplane, spoek mathambo, as well as their new home, the ever-illustrious kompakt

anyone who advertises on their facebook site that they create music for dogs while working under the name dachshund must have a sense of humor. and indeed, it seems the swiss dj, producer and label boss doesnt think much of sterile production and is prepared to use his sence of passion and fun to create rhythms of every kind in his work. perhaps this is a legacy of dashshunds musical roots: in the 90s he played in various reggae bands, which eventually took him to jamaica. from the sunny islands he brought back a dub influence which can still be heard in his music today. he has already proven, with his highgrade debut on the >group of connected heads compilation, his feeling for up-beat, bouncy rhythms. nothing has changed with his first solo release on highgrade. groovy, original and funky, it booms from the speakers. that the first track is called >stand firm<, must be due to the humor of dachshund: the beats immediately encourage you to do the exact opposite… shake your booty!

there are few artists making seriously great music while not taking themselves too seriously: that difficult feat is one rarely attempted and even less often successfully carried out. benoit & sergio have seemingly effortlessly managed to pull off that contradictory trick, producing songs that sometimes seem like musical open letters: editorials narrated in the voices of unidentified, yet totally recognizable colorful characters, read aloud against a backdrop of beautifully lush, warm and sensuous electronic pop music. the unexpected juxtaposition of such pristine production and playful lyricism — first exhibited on 2009s highly praised <i>what ive lost</i> ep, which included the brilliantly sardonic single >full grown man< – exemplifies why benoit & sergio are one of the most unique and interesting outfits in dance music. its good news, then, that the washington, d.c./berlin-based outfits eagerly expected dfa debut maintains both the charm and expert craftsmanship of its predecessors. single >boy trouble< (the titular counterpoint to >full grown man<) launches the ep with all manner of reasons to take to the dancefloor: an exigent beat, a beckoning synthline, a bassline of understated funk. sergio lethargically sings about girls, making note of both their ups and the downsides, without the hindrance of subtlety. >i love girls/with legs like a ferrari< he states before noting (bemoaning?) the fact that >you need poetry to turn these girls on.< its a song for the best part of the night, full of compulsive rhythms and a climax that builds on sparkly synths. the accompanying remix from visionquest — the detroit-bred, berlin-based label led by producers seth troxler, ryan crosson, lee curtiss and shaun reeves — amps things up, making the beat a more prominent, driving and club banging force. the flipside features >full grown man< and >what ive lost<, which reveal themselves to be worth more than a few revisits.

the latest addition to the ostgut roster, detroits ryan elliott, is a recognised force on the international dj circuit - yet his productions are few and far between. now re-located in berlin, the new berghain resident contributed his track >abatis< to the >fünf< anniversary compilation, setting the tone with dark and brooding techno undercurrents. these two new tracks bring ryans production skills to the fore, both slow burning and refined recordings that show off his love for bassline-led, straight forward club tools.

two new faces on freakshow belong to a crazy spanish combo called kasbah zoo! established some years ago through the union of alex and nicolas who are based in barcelona. after 10 years of individually experience in music production and nightlife, they decided to create a new project where their maturity can do a refined music product.as a result they already had some underground hits during the last years. so far the two guys were releasing tracks on zoo:technique and rawthentic music. their next step took them straight into the intl. freakshowi&#769,s artist pool. with their original version of the title track i&#768,palabrasi&#770, kasbah zoo is unleashing a damn good piece of pumping techhouse. alongside the original we bring you 2 more remixes coming from christian burkhardt and romano alfieri. both are as hot as hell, too. all in all one must say that this record is keeping iti&#769,s dynamic groove from the start to the very end & it will help perfectly to get fully loaded from head to toe!

deep house and tribal beats with remixes from jt donaldson. jt donaldson and adam pickrell (white lotus society) team up with zimbabwean artist hati monetsi to create a unique work entitled >ceremony<. spoken in her native tongue of shona, hati pens a passionate tribute to loved ones who have passed while jt and adam frame her words with their elegant, deep musical production.the original mix features driving tribal beats while the techno mix is presented in a vintage detroit style. jt also provides two key bonus remixes: a straightforward house mix and a lovely early 90s deep house mix that pays homage to the early beginnings of the beloved music we all have come to love. timeless. support from fish go deep, scope, oliver desmet, jask, nathan g, groove assassin, marques wyatt, deron delgado, soul minority, john hawley

the urgent bass tones of >tussilago< open another intense builder. textural, staccatto elements combine and head the attack as the track picks up steam through its several, breathless breaks. satisfyingly wicked! mikael jonasson is the next artist to have his say on figure. like a pack of gruesome bass monsters brawling in their subterranean lair, >random diversity< is a ferocious encounter to say the least. roaring with intensity and detailed, thrilling sound design, its a raw, brutally modern and fiercely powerful production

big with: nick curly, laurent garnier, sebo k, jackmate, radio slave, ripperton, deetron, anja schneider, anthony collins, gregor tresher, mathias kaden, paul woolford, brothers vibe, arnaud le texier, reboot, martinez,... all thirteen releases of the label to date have have showcased the talent of a solo artist, but today five are welcomed for what is not only their label debuts, but also a first >v/a< release for bass culture records. danny fiddo & jm aboga lead from the front with >evil intentions<, which strangely enough, with its smooth feel good vibes, is anything but. fiddo needs little introduction. as a resident of valencias barraca club, he has shared the dj booth with the worlds biggest names, and his music has already found a home on labels including buzzin fly, rekids, ovum and barraca. fellow valencian jose maria, has also resided in the house of barraca. his solo production work can be found on time has changed and novo music, and together with fiddo, the pair have released on fumakilla and monique. fabio giannelli demonstrates just how much his production style has matured on the beautifully cultured, >leitmotiv<. fabio has, over the past three years, become one of italys finest house music exp

incl. dyed soundorom remix big with: nic fiancuilli, robert james, adultnapper, matt walsh, tiefschwarz, ripperton, davide squillace, simon baker, luke solomon, meat, geddes,... we are very happy to welcome a new artist on board – inxec aka christopher sylvester. were always looking for this kind of freshness and he definately has plenty of it! his genre-mixing and high quality production skillz are speaking for itself: be it the deep tech-housy >angel<, the bass-heavy & funky >come on!!< or the ultimate groove of >nightingale<. angel takes you on a journey with its catchy and flying synth line, right down to come on!!, the future soundtrack of an amusement park, before it all ends in the mad jungle of nightingale. all of these 3 stunning cuts are clearly made for the club, as well as the superb dyed soundorom remix of >angel< – a pure and massive groove for primetime dancefloors

nice price deal !!! early support by luciano, dop, mathias kaden, steve bug, dixon, tini, karotte, markus fix, chris lattner, timo maas, ripperton, nick harris, martin landsky!baalsaal welcomes mr aeromaschine and predicts a long relationship to come. aeromaschine delivered a real versatile stunner. debunking random myths stands out as a very unpredictable piece of live performanced like collage and definitely will be his opener on his next festival in summer. not so is an hypnotic acidy interpretation of past future old school with a present high roller coat. this track blew us away. on the flip dean aka bearweasel digs a little deeper with classy dubby elements and a journey to planet x dream dancing to come... the dark horse is serenades for simple brains a beatdowner that nails it when it comes to non hype edit production.. a track to play for the next decade.

limited, 300 pressed… once upon a time in a borough not so far away… endlessly walking the streets, on one of those hot-as-hell summer days in brooklyn nyc. you pause on the corner, to catch your breath, only to have an old box of records catch your eye. your fingers start to gather dust as you rifle though 12s with names like strictly rhythm, nu groove, madhouse, henry street and loop nloop on the labels. as you reach the end of your frenzied search, one unassuming piece of wax, in particular, seems to mysteriously peek your interest… on the corner vol. 1. the debut release for the brooklyn nyc based cortelyou road recordings. this will be first in a series of compilations coming from cortelyou road. leaving no stone unturned in their search for the finest production talent from around the globe

estonian duo kgb step up for their debut release on dub police and they certainly arent pulling any punches. the production partnership hit you with two cuts of pure dance floor energy and impact that display their versatility and uncanny knowledge of how to get a crowd going. if you dont know about kgb, you better get to know, as they are quickly establishing themselves as one of the rising stars in underground dance music. with plenty of tricks up their sleeves, there will be no stopping them in 2011!

contempt music production brings the next 12inch record to the headbangers with 4 unbelievable stomping hardtechno tracks. everybody of you know the brazilian combo >pet duo<, and now they are on cmp! two wonderful tracks full of pure energy will make the partypeople go crazy in the club! labelhead orman brings you his >cmp anthem< on this vinyl and show you one of the most beautiful melodys composed by himself! all in all this record is full of hard techno beats and 1 melody song

well rounded kick off 2011 with the deep space bump-n-hustle of littlefoots aptly named >interplanetary< ep.
all 4 tracks contrast tuff dry drums & low sweeping subs with cosmic atmospheres and twilight melodies and chords. theres a unique strictness in the drums here, less swung than typical garage but with innovative programming that shows a producer keen to explore new possibilities. as ever with well rounded and our producer friends, we are celebrating influences from the past - think classic 4/4 uk garage in the vein of dem 2, mixed with early 90s rave sounds and welded together in a motor city car plant. with added post-dubstep production sensibilities, littlefoot is creating an unheralded hybrid sound. all 4 tracks contribute to the completeness of the ep - we go in hard, explore different areas and complete our journey with the last track. we hope you enjoy this trip.

another stars is a new interpretation of the all time classic by steve wonder that was already re--vamped by salome de bahia & roger sanchez back in the day we couldnt say no to this 2011 versions for a purple music release.a choise of 4 mixes all perfectly harmonized with the superb vocal performance of myles sanko, vocalist of the english funk/soul group bijoumiyo, who gives his best to bring this production to a high level. produced by pagany & roby arduini who have been responsible for a lots of the biggest european club hits: such as cappella, 49ers, anticappella, superstar djs, su su bobien, house bros and remixers of the memorables kaya, king unique, hatiras, jakatta, de lacy, innervision... also essential team-up and productions for artists such as kym mazelle, barbara tucher, taka boom, su su bobien, joy malcolm: absolutely enough to proove their musical knowhow in the club music scene. fantastic job

nice price deal !!! morgan zarate is best known for pushing r&b and hip hop into new spaces, taking influences from the us and uk and creating raw, emotional and psychedelic beats. on this first ep for hyperdub, his production steps up in tempo, and the influence on his music of grime and dubstep shines through.

after the big succes of hi tech booty, we searched for some really special guys out there to put hand on ahmets bomb. well here it is. a1 comes from maetrik which was a strong desire of ahmet and for sure an excellent choice. he totally brings in his own style while getting a little bit closer to the darkside of the track. a2 is a special collab between rainer, which we know from the last regular stock5 record together with cesare vs disorder and viudez, a mexican guy that seems to have a very nice influence to the production style. the vocal is very present but placed, arranged and transformed geniously. for sure a weapon! b1 is written by our special friend chris sylvester aka inxec. starting with a very housy groove, it falls quickly into a hypnotic mood that is unique in inxec productions. he really knows what the dancefloor requires and for this we are very happy to have him again in our release roster. b2 presents a very new and fresh artist called rico casazza. he interprets the track in a very detroit way, works verz little with the vocal but hits it very perfectly for the sense of the track. after this debut on our imprint you can be sure to hear more of this young guy in the next time!!!

feat remixes by art department, wolf + lamb & sideshow. simple celebrates its 50th single release in the new year (and each one of those 50 have been released on that wonderful black stuff known to old people as vinyl). a release that will see the founder, a&r, label manager and tea boy will saul and his long term production partner tam cooper team up for a limited edition gatefold vinyl double pack ep (yep, theyll loose loads of money but not many people get to 50 vinyl releases without loosing their house, car and mind so we think its worth celebrating. the release will feature 4 new tracks from will & tam with remixes from wolf + lamb & slow hands, sideshow and art department (jonny white & kenny glasgow).

terrence parker presents music works volume # 1 (catalog pmw001) is a special project featuring tps favorite picks from his parker music works label featuring house fused with disco, funk, soul, gospel and jazz. tp chose these 3 tracks not only because he likes them personally, but they were also among the most requested tracks by tp fans for a vinyl release. the a side features tps gospel-disco-house production of >let your love show< which was produced in 2010. the b side features a jazz-house fusion track entitled >soul juice< by dj leandre of paris, france. also featured on side b is a disco-house stomper entitled >lets get some love< produced by matt veloce who is a new producer from minneapolis, usa. for fans who like the sound of tps classic tribute ep, this special release is a must have!

after several years perfecting and honing their art, the four musketeers: seth troxler, ryan crosson, lee curtiss and shaun reeves, collectively known as visionquest, unleash their sonic imprint upon the earth. its debut release is an introduction to new members of the visionquest family as their great friends and production maestros benoit & sergio deliver the freaky and flavoursome >where the freaks have no name<.

ldr returns with the labels first various artists release, four house expressions - from four cutting edge producers. dublin based italian producer, lerosa opens the ep with longing…a warm, proficiently produced electronic house cut as always from the adopted dubliner. smooth percussion and synth sounds layered and arranged to perfection while still keeping that free-flowing lerosa style. rotterdams mark du mosch delivers an uplifting house / techno influenced workout blessings. re­fined percussion and wonderful space-synth soundscapes alongside a driving bassline that will get the dancefloor moving for sure! glaswegian meschi debuts with concrete island , the london based producer delivers a blissful deep house track. a laidback rhythmical production that just gets better and better throughout, with clever arrangements of elements including a classic voice sample and a soothing and delicate piano line. wicklows automatic tasty concludes the ep with another killer analogue jam, 707 percussion, a rail­way raver-esque bassline, and ats trademark pads and synth melodies combine to make >welcome ohm luv< another classic from the machines of mr.tasty